Please use this identifier to cite or link to this item: https://hdl.handle.net/20.500.13091/4295
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dc.contributor.authorMumcu, Semaen_US
dc.contributor.authorAkyol, Duyguen_US
dc.date.accessioned2023-08-01T11:32:02Z-
dc.date.available2023-08-01T11:32:02Z-
dc.date.issued2023en_US
dc.identifier.urihttps://hdl.handle.net/20.500.13091/4295-
dc.identifier.urihttps://doi.org/10.15320/ICONARP.2023.249-
dc.description.abstractIn this study, how landscape architecture students associate the traces of the past of a given site with their conceptual approaches and spatial components in the design process is discussed. Karagöz Square, located in the city center of Trabzon, has undergone dramatic and mostly negative changes from the past to the present in functional, visual and semantic terms. the area which is under urban transformation process in order to revitalize, to make it a part of urban life and in this context to regain its old functions has been given to students as the subject of design within the scope of Environmental Design Project IV course. Within the scope of this paper, how students investigated the past of design area and physical and social dimensions of collective memory, how they reflected on their conceptual approaches and main design decisions, and then through which spatial components and usage types these decisions were reflected on projects are determined and explained. In a design group of 9 students, 5 designs, conceptual approaches of which were based on the history of the city and the design area and traces left in collective memory were discussed in detail. As a result of the content analysis of the presentations and reports of the students it was determined that some students were inspired by the past functional (such as socialization) and semantic dimensions of the area (such as entertainment and play) or the physical components of the area (such as olive trees, amusement park-entertainment equipment). The other students were inspired by the historical features of the city of Trabzon (the empires of the past) or the traces of cultural features in the society such as Trabzonspor and determined their design approaches based on these. In line with these, spatial components and usage types-activities in the final products are detailed in this study. How collective memory can be a tool for determining conceptual approaches in landscape design is also discussed.en_US
dc.language.isoenen_US
dc.publisherKonya Technical University Faculty of Architecture and Designen_US
dc.relation.ispartofICONARP International Journal of Architecture and Planningen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectActivity typesen_US
dc.subjectCollective memoryen_US
dc.subjectConceptual approachen_US
dc.subjectLandscape designen_US
dc.subjectSpatial componenten_US
dc.titleTransfer of Social Uses, Meanings and Values through Landscape Design; Case of Karagöz Squareen_US
dc.typeArticleen_US
dc.identifier.doi10.15320/ICONARP.2023.249-
dc.relation.issn2147-9380en_US
dc.description.volume11en_US
dc.description.issue1en_US
dc.description.startpage452en_US
dc.description.endpage476en_US
dc.departmentKTÜNen_US
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Başka Kurum Yazarıen_US
item.fulltextWith Fulltext-
item.openairetypeArticle-
item.openairecristypehttp://purl.org/coar/resource_type/c_18cf-
item.grantfulltextopen-
item.cerifentitytypePublications-
item.languageiso639-1en-
Appears in Collections:ICONARP - International Journal of Architecture and Planning
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