Please use this identifier to cite or link to this item: https://hdl.handle.net/20.500.13091/2643
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dc.contributor.authorGüneş, Nurcan-
dc.date.accessioned2022-08-15T17:36:46Z-
dc.date.available2022-08-15T17:36:46Z-
dc.date.issued2014-11-22-
dc.identifier.urihttps://iconarch.ktun.edu.tr/index.php/iconarch/article/view/151/122-
dc.identifier.urihttps://iconarch.ktun.edu.tr/index.php/iconarch/article/view/151-
dc.identifier.urihttps://hdl.handle.net/20.500.13091/2643-
dc.description151en_US
dc.descriptioniconarch:S3en_US
dc.description.abstractToday, in many spheres of life including architecture, “to have an identity” is considered to be an important qualification for anything, and the reverse is considered to be extrinsic. Particularly, “identity” is emerging as a theoretical obstacle / limiter in architectural education and also in the professional practice. Construction process of identity is possible to refer in field of architecture as in all human sciences. Identity is a subject which is hard to talk about, despite its quality of creating new controversy routes. While the research of humanities related to identity issues tend to refer to dichotomies, in the field of architecture it produces clichés. When the PhD and master thesis that are done in the field of architecture were made subject to textual analysis is thought that identities of architects, architectures, urban districts and buildings are all produced in similar pragmatics. This paper will focus on how academia- which is one of the identity constructing actors- constructs identities. In the study, examples about production of urban and buildings’ identification will be given. Thesis was written in Turkish academic institutes which included keywords of "architecture" and "identity" will be examined. Such research that has a small but effective cross-section is expected to reveal academia’s role in the production of identity. After identity constructions or productions of ideals in academia are tried to be explained through several examples, their impacts on the production of novelties will be discussed in the conclusion. What kinds of problems will emerge from interference to an urban area, a building or an object which is considered a production of architecture with identity rhetoric or engagements will be discussed. In this respect, if holiness references such as owning an identity or essence are being produced by academia, it is possible to talk boundaries about understanding and signification. Despite the studies that are made to bring architectural products identity into view, it is argued in this study that here is no hierarchical priority among the numerous combinations that form the identity.en_US
dc.language.isoenen_US
dc.publisherKonya Technical University Faculty of Architecture and Designen_US
dc.relation.ispartofICONARCH International Congress of Architecture and Planning; 2014: ICONARCH II - INNOVATIVE APPROACHES IN ARCHITECTURE AND PLANNINGen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectIdentityen_US
dc.titleReading the Construction of Identity in Academic Writings Through the Case of Mardinen_US
dc.typeConference Objecten_US
dc.identifier.volumeICONARCH IIen_US
dc.identifier.startpage166en_US
dc.identifier.endpage172en_US
dc.relation.publicationcategoryKonferans Öğesi - Uluslararası - Başka Kurum Yazarıen_US
item.cerifentitytypePublications-
item.grantfulltextopen-
item.languageiso639-1en-
item.openairecristypehttp://purl.org/coar/resource_type/c_18cf-
item.openairetypeConference Object-
item.fulltextWith Fulltext-
Appears in Collections:ICONARCH - International Congress of Architecture and Planning
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